I. The Philosophy: The Beast Tamed

The Farang has tamed the beast called A.I. After hundreds of hours of practice to master the skills, The Farang has succeeded, through his rich experience as a music lover and thanks to extremely creative and ingenious prompts, in transforming A.I. The result: music bursting with attitude specific to the style and emotion, across a wide spectrum of genres.

The Farang’s musical scope proves this mastery: from Sixties Garage Rock (Fuzzdog) over Bluesey soul and Country Rock (The Wild Buffalo’s) to contemporary Latino pop, Cinematic urban Synth-pop with twangy guitars (Luna Vox) and Desert surf Rock with Bongos and funky basslines (Desert Surfers).

The Farang views A.I. as his instrument, just as a traditional songwriter uses his guitar or piano. After all, it is not the instrument that creates music independently; human intervention is necessary. A.I. is a tool. What a creative mind draws from it is what counts.

II. The Great Liberation

A.I. IS THE GREATEST ARTISTIC LIBERATION IN DECADES.

Initially, A.I. sounded very stereotypical and cliché. The Farang, however, pulled A.I. out of that limitation and gave it a new dimension. By injecting A.I. with his own rich experience, The Farang succeeded in removing the clichés and creating music bursting with emotion and Rock attitude.

Via A.I. there are no limits anymore. It frees us from the constraints of mediocre musicians and, crucially, from the limitations of the human voice. This allows pure, raw intent to flourish.

With four projects (with albums due in 2026), The Farang is the living proof:

• To Starting Bands: You don’t have to be stuck in the mold of the past. Dare to rebel, dare to experiment. The Farang shows the way.

III. The Historical Confrontation

The Farang makes music with an open mind, in contrast to artists and musicians worldwide who detest A.I. music. All those conservative and narrow-minded spirits who refuse to listen to A.I. or speak dismissively of it are missing the boat. Co-existence is perfectly possible.

Envy and fear of the new are not uncommon in contemporary music history. Just look at the evolution from Vinyl to CD to Spotify, or the introduction of the drum machine. Every step in the evolution was consistently met with criticism. The Farang advises them to jump on the train in time, before they are hopelessly lost.

IV. The Facts: Validation and The Call

We challenge you: Can you hear the difference? If the music has a heart, the method is irrelevant. The quality is not a subjective claim; it is validated by the machine itself: the four projects achieved scores of at least 9.2 per song and 9.3 per album on independent A.I. platforms.

Music is music… whatever the way it came to be.

The Farang kicks ass.